Codex Update

Juana Alicia is busy on completing the codices that will accompany the mayan scribe and nopal panels at El Centro. Enjoy these photos as a sneak peek of our next video. Keep a look out for our third video next week demonstrating the preparation of the codices, its progress as well as Juana Alicia’s thoughts on the codice’s imagery! Ya viene!

-Edgardo Cervano-Soto

 

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New Video: Juana Alicia Discusses the Murals in Progress

Murals in Progress: Juana Alicia Creates Murals for El Centro Chicano de Estanfor

Produced by Edgardo Cervano-Soto

Click on image or this link to view the video (via Vimeo).

The second video of the series has Juana Alicia introducing “Ojas de nuestro legado/Pages from Our Legacies”, (working title) to the public. Watch and listen as she shares the inspiration behind the murals, its themes and what she hopes the mural will mean to Stanford students. As the producer of the series and friend of Juana Alicia, I am happy and excited each time to visit Juana Alicia’s studio and see the works in progress. Stanford students and art lovers are in for an amazing and inspiring mural.

-Edgardo

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Mural In Progress

Juana Alicia Creates Murals for El Centro Chicano:

Mayan Scribe, in progress

Produced by Edgardo Cervano-Soto

Created by film maker Edgardo Cervano-Soto, this time lapse video shows Juana Alicia painting her mural for El Centro Chicano. Please view the video here or click on picture above.

This is the first from a series of videos of Juana Alicia’s new mural at El Centro Chicano de Estanfor.

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Juana Alicia’s Narratives for the Centro Chicano Mural Project

2005 SANARTE: DIVERSITY’S PATHWAY Suite of four murals and the double helix and cementatious tile walkway, Juana Alicia ©2005. 1000 square feet of tile mosaic mural at UCSF Medical Center, 400 Parnassus Avenue, San Francisco.

HISTORY OF PROJECT

In 2007, Stanford’s Centro Chicano wrote me, offering a new commission for the Centro. A mural I had created with the Yo Puedo Program in the mid-eighties had been inadvertently destroyed during renovation, and the Centro requested that I create a new work of art in it’s place. After touring the site, I made several proposals for both exterior and interior walls. I first proposed an exterior, ceramic bas relief work similar to the works I had recently created for UCSF Medical Center in San Francisco and in Mexico at the UTM.

GEMELOS, mural in cast cement and steel, Juana Alicia and Tirso F. Gonzalez Araiza © 2007, Universidad Tecnológica Metropolitana/ UTM (Metropolitan Technical University), Mérida, Yucatán, Mexico.

PRELIMINARY SKETCH FOR CENTRO CHICANO: Proposal for ceramic relief for exterior archway, Juana Alicia ©2008.

The proposal for the exterior wall was rejected by the powers that be, and we began to consider an interior work. After much consultation with university officials, the Centro decided to continue with a series of interior murals on canvas, be seamlessly installed and intended to be long-term, possibly permanent installations. I submitted a series of preliminary sketches, and we moved forward to finalize a contract based on those drawings.PRELIMINARY SKETCH FOR CENTRO CHICANO: Proposal for interior walls and ceiling, Juana Alicia ©2008.

I have now begun the process of creating the new murals for the Centro Chicano. I will be creating murals on canvas to be installed on four walls of the Centro’s entryway and stairwell: two friezes, a ceiling and a small vertical wall next to the office. The preliminary drawings for the pieces are also pictured here. The theme of the murals will be the legacy of Latin American/Indigenous literature. The pencas of the giant nopal will have scenes of our histories as Latino peoples, and quotes from literature from throughout the Latina/Chicano/Indigenous/African/multiethnic Americas. The working title for this piece is “Ojas de nuestro legado/Pages from Our Legacies”, a play on the words pages of a book and the ojas or pencas del nopal. (See the Gallery page for images of these preliminary drawings.)

During the past two academic years, I worked with Centro Director Frances Morales and graduate student Doris Madrigal Texcallini to organize meetings with students and to distribute a survey regarding the content of the mural, and there have been many great responses. I am in the process of compiling all of the material, and reading a broad swath of the literature as part of my own research.  I have enjoyed and been inspired both by reading students’ responses and meeting in person on two occasions with Centro students, staff and alumni. Of particular poignance have been the calls for representing diversity of our Latino/Indigena/multiethnic experiences. The range of authors and artists is suggested is wonderful, including both traditional and non-traditional takes on identity.

NARRATIVE REGARDING THE WORK IN PROGRESS, November 16, 2011

My concept for the suite of murals for the Centro Chicano de Estanfor is inspired by the history and literature of multiethnic latinoamerica, from the ancient  stories of the Popol Vuh to  modern Xican@ poetry. Originally, I had thought I would include the actual texts and quotes in caligraphy, but ultimately opted for pure visual narratve and symbol.  The cactus bloomed into an organism with its own voice, shaking off any further elaborations. The Mayan scribe had ideas of her own to pen onto the unfolding codex: creation myths, stories of conquest and survival, from the various centuries that she has survived, a witness to ourstory. She begins with the blooming tree, bearing the strange fruit of her lover Xbalanque’s head. I am currently nearly finished with the first two large panels: the nopal cactus and the Mayan scribe. Please check out Edgardo Cervano Soto’s video time lapse of the painting included on this site.

Next, the story continues onto the  codex panels in the form of friezes at either end of the staircase. I am just now beginning these two sections of the suite of images. They are the scribe’s story, continued. The voice of Eduardo Galeano is the narrative playing in my head, threading through her stylus.  Here she records the burning of her libraries, the slavery of her indigenous and African brothers and sisters, the slave ships landing, the trials of the Malinche y Llorona, the triumphs of Bolivar, el Che, Sandino, Fidel Castro, Emma Tenayuca, Dolores Huerta. Her inspirations are cervantes, Sor Juana, Violeta Parra, Jorge Luis Borges, Rosario Castellamos, Sandra Cisneros, Juan Felipe Herrera, Junot Diaz, Julia Alvarez and many others. My plan is make the panels in a sculptural form, the folding surfaces extending a couple of inches from the wall’s surface. Look for the upcoming sketches for the panel in the Gallery section of this site…

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